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Art In The Masses

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"In art there is only one thing that counts; the thing you can't explain."    - Georges Braque

Welcome to Art In The Masses, a literary journal consisting of various articles, philosophies, and prose, either revolving around or composed of art:

that which is known as the highest form of hope.

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piece of the month

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Allegory with Figures of Hope, Time, and Death

c. 1659–1734

A memento mori functions as a symbol of the transience of life in a world where we can depend on nothing. Ricci’s philosophical reflection of mortality features pen, brown ink, gray wash, and chalk.

 

Memento mori - “remember that you must die.” An encouragement of morality, although appearing to take the form of a threat. An incentive to live well because of life’s brevity. A promise that is entirely hidden beneath a surface which prompts despair to the simple-minded. And understandably so. 

 

In Ancient Rome, a slave would whisper this phrase over the shoulder of a general or master in an attempt to undermine their pridefulness. Stoic philosophers utilized it to prepare their minds as if each day was nearing their last. Christian religion finalizes the thought that we will return to dust from which we emerged. 

 

Time is an unstoppable force. There is perfection in every accident it summons, but it falters at no force. There is a finality of the physical life that we cannot meet but with a surrendered soul, but there is an endurance of hope beyond this futile clockwork.


Memento vivere - “remember to live.” Hope prevails only after each one of these humblings; our lives are meaningful preludes towards an eternity that is entirely disconcerted with our inquietude towards the present moment. Which impatience do you fall victim to? When all is said and done, will you look back with longing at the time that you wasted in your restless fervor for more?

allegory with figures of hope, time, and death. ricci MET.jpg
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